HDCP (High-bandwidth Digi-
tal Content Protection) is considered
to be either the best or worst feature
of digital display technology, depend-
ing on who you are. Created by
chip giant Intel, HDCP is an encryp-
tion technology designed to protect
digitally transmitted picture content
from illegal copying and distribution
(piracy). As such, HDCP is relevant
to both DVI and HDMI signal con-
nectivity; with the important footnote
that it may or may not be used with
DVI signals, but is a mandatory re-
quirement for all HDMI signals.
Backed by content produc-
ers (studios) who strongly desire to
protect their investments, HDCP’s
underlying charter is to protect and
maintain control of copyrighted
materials. Let’s look at the piracy
issue more closely. Consider today’s
analog video system. In use for over
50 years, our NTSC video system
was developed in an age where
vacuum tubes were the norm and
solid state devices were unknown.
In these early days, piracy was not
a concern as video tape recorders
were not yet invented. Today, by
their own reports, Hollywood studios
lose billions of dollars per year on
illegal copying and distribution of
movies and other forms of program
material. As we make the transition
from low resolution NTSC video to
high definition television (HDTV), the
concern over piracy is heightened as
the picture quality now more closely
approximates the cinematic quality of
first-run motion picture films. With
its vastly superior picture quality,
HDTV represents a clear and present
danger to the studios. At the same
time, it also represents a major op-
portunity to stem the ?ow of illegally
pirated content. With HDTV signals
encrypted in the digital domain,
HDCP ensures that they are far bet-
ter protected than with the conven-
tional analog signals in use today.
The hope is that, as HDTV rises in
popularity, HDCP will also become in-
creasingly more effective in thwarting
piracy.
Lesson #1: HDCP is backed
by the studios as it helps protect
their product (movies) from theft.
But how exactly does HDCP
work ? HDCP encryption was
developed to protect and maintain
the integrity of content traveling
between two or more digital sources.
Therefore, to make HDCP work,
all equipment in the system must
be fully HDCP compliant, that is, it
must conform to all aspects of the
HDCP standard. An essential aspect
of this compliance is maintaining
the integrity of the HDCP encrypted
content, which can only be decrypted
using special cipher keys. With these
keys in use, display devices (TVs, ?at
screens, projectors, etc.) are able to
display the encrypted video content.
Without these keys, the HDCP signal
cannot be decrypted and hence
cannot be displayed. However, it is
important to note that HDCP en-
cryption does not protect against
illegally copying the information after
the receiving device has received
and decrypted it. Not surprisingly,
the HDCP
specification
places great
emphasis
on degree
that manu-
factures must go to ensure HDCP
cannot be defeated by “hot wiring”
their products.
If a company wishes to
implement HDCP in their products
(most major manufacturers have),
they must obtain a license from
the Digital Content Protection, LLC.
These licenses are expensive, as they
cover the cost of the entire encryp-
tion process and are designed to
prevent “?y-by-night” suppliers from
using HDCP unless they are licensed.
In order to encrypt the
information, HDCP compatible units
contain a set of forty 56-bit keys that
make up the unit’s device private
keys. Each set of these keys is asso-
ciated with the device’s key selec-
tion vector (KSV), which is entirely
unique to that device. Therefore,
each HDCP-compatible transmitter
and receiver has a KSV all to itself.
This KSV allows for transmitters
and receivers to communicate their
encryption to one another in order
to ensure the validity of their content
protection. Only after a two-part en-
cryption process takes place will the
transmitter begin to send information
to the receiver via its digital output
(i.e. DVI or HDMI display port). If
the set of device keys is found to be
invalid or corrupt, the digital picture
information will not be sent from
the transmitter. This process takes
a fraction of a second to complete.
Of course, all the standard analog
ports will still operate with or without
HDCP; however, in the future, these
analog ports will only carry low reso-
lution signals not exceeding 480p.
If you want to enjoy the superior
picture quality of full HDTV resolu-
tion, you must use the digital (DVI
or HDMI) signal ports where HDCP
is a key factor.
Lesson #2: HDCP
compliant devices are a must for any
forward-looking system.
This all sounds simple
DVI-I Female Connector
HDCP - For Better or for Worse?
Technology Connection: Issue 3                                               -1-                                               October 1, 2004
© Copyright 2004 DVIGear
pg_0002
enough, right? Well, not really. Keep
in mind that all devices in the signal
chain must be HDCP compliant.
Even if the devices on either end
of the application are compliant, all
devices in the middle must be as well
(repeaters, converters, switchers,
etc.). Fortunately most cables and
adapters simply pass through the
HDCP information and hence are not
a major concern. For example, if we
are using a DVD player with an HDCP
encrypted DVI output and sending
the signal to a projector, the projec-
tor must be equipped with HDCP. If
we want to show this same content
on two projectors simultaneously,
the DVI distribution amplifier that
we are using must also be equipped
with HDCP. As the application
becomes more complex it becomes
less likely that all the devices will be
HDCP compliant. Remember – if one
device is not HDCP compliant – then
no signal is passed and your screen
goes black.
So, if your system is work-
ing non-HDCP now, why should
you care? Well, many of us are still
viewing prime time TV, DirecTV HD
movies and HDTV via cable networks
using analog connectivity (Y, Pr, Pb)
and it looks just fine. But remember
that the FCC has mandated that by
2007, everything will be digital. So
for HDTV, you will be obliged to use
digital connections (DVI or HDMI)
sooner or later. After viewing a
side-by-side comparison of digital
versus analog connectivity, you may
not want to wait. This is even more
relevant when you keep in mind that
HDCP not only concerns playback of
pre-recorded HDTV movies, but also
live HDTV broadcasts such as TV
shows and sporting events.
Regrettably, there is a down side
to HDCP – it’s called obsolescence.
First, since HDCP is a digital stan-
dard, all our legacy analog video
equipment cannot participate in what
it has to offer. Second, not all manu-
factur-
ers have
adopted
the HDCP
standards
as quickly
as one
might
think.
This has
resulted in many complaints from
end users that have purchased non-
HDCP compliant systems. A typical
example of this problem happens
when an end user purchases a DVD
player with a DVI+HDCP output and
doesn’t understand why his projec-
tor’s DVI input is “dead”.
So what happens if your
display devices aren’t HDCP compli-
ant and you have sources providing
HDCP content? Will your plasma
screen or projector just blow up?
Not exactly, but you may very well
wish it did. In such cases, you’ll be
obliged to fall back on old analog
connectivity which, in the future, will
be limited to 480p resolution – not
exactly true HD. Your digital inputs
will either run with a black screen or
perhaps display a convenient mes-
sage informing you of your HDCP
incompatibility.
Ok, now you realize you’re
stuck with a non-HDCP display with
an HDCP compliant source. What
are your options? The best option is
to return your display and exchange
it for one that is HDCP compli-
ant. Otherwise, unfortunately, your
choices will be limited. Of course,
you could go HD component video
(analog HD), which will still produce
a far superior image to NTSC, but
it’s not HD digital which means your
possibilities for source material may
become increasingly limited as we
approach the all-digital cut-over year
in 2007.
As we converge on the
future, eventually everything will
probably use HDCP. For example,
if you plan on using your new DVI
equipped projector for display of PC
or Mac-based computer signals, you
may still want to go the route of buy-
ing an HDCP compliant model. Com-
puter graphics card manufacturers
will likely be pushed to enable HDCP
of their products as well to protect
digital content. In fact, the Radeon
9700 Profrom ATI already incorpo-
rates HDCP. Currently, you could
use a PC’s DVD player to output a
DVI signal to your non-HDCP display
without problems, but everyone in
the PC industry thinks that will be
short-lived as well. Today HDTV
PC cards exist that allow for off-air
HDTV broadcasts to be routed into a
tuner in your PC that could then send
signal to a non-HDCP DVI Display.
Two popular cards are the MyHD
MDP-120 (available with DVI output
“Daughter Card”) and the Telemann
HiPix DTV-200. Although watching
TV via a PC receiver isn’t the simplest
form of TV
connectiv-
ity to ex-
plain to the
babysitter,
it does
work, for
now…
HDCP attempts to solve a serious
problem that’s plagued the studios
and other content producers for
years and is something that is good
for everyone. In fact, piracy is cited
as the main reason why audio CD’s
never got to that price point was
promised when they debuted in the
early 1980’s. While there is still
much confusion in the marketplace
today due to a lack of understand-
ing, it is clear that HDCP is the wave
of the future and that smart buyers
will look for HDCP compliance as
future-proof protection. Over time,
consumer awareness will improve as
HDCP enabled devices become more
readily available; thus helping fuel
the widespread adoption of digital
HDTV.
If you are interested in learn-
ing more about digital connectivity
or have a special application request,
please contact DVIGear for more
information.
HiPix DTV-200
MyHD
Momitsu V880 Deluxe
DVD Player
Bravo D1 DVD Player
Technology Connection: Issue 3                                               -2-                                               October 1, 2004
© Copyright 2004 DVIGear